WH_OH_005(g)_AUD_S2(C2)
00.00.00
Resigning, client approach, recognition & less...
Revathi Kamath
(00:06:30:12) Drawings as a representation, (00:12:21:17) Design approach of Revathi Kamath, (00:12:41:02) Bodily app...
WH_OH_005(g)_AUD_S2(C1)
00.41.00
Interactions, project approach, practice methods &...
Revathi Kamath
(00:35:42:11) Relationship with clients, (00:13:53:14) Furniture design by Revathi Kamath
WH_OH_005(g)_AUD_S1(C2)
00.27.15
Workplace dynamics, notable engagements & mate...
Revathi Kamath
(00:11:53:02) Naturalness of creativity, (00:10:00:12) Taj Hotel Jaisalmer an unbuilt project
WH_OH_005(g)_AUD_S1(C1)
00.29.55
Relationship, drawing method & professional jo...
Revathi Kamath
(00:05:53:19) Sensitivity to line, (00:09:20:20) Madhavi Desai book launch
WH_OH_005(e)_AUD_S1(C2)
00.33.18
Interactions with Revathi Kamath, craft & desi...
Revathi Kamath
(00:06:56:06) Anandgram redevelopment Project, (00:17:33:29) Revathi Kamath's house
WH_OH_005(c)_AUD_S1(C2)
00.32.32
Materials used, clients, early inspirations &...
Revathi Kamath
(00:23:55:01) Revathi Kamath’s Attitude towards recognition
WH_OH_005(c)_AUD_S1(C1)
00.32.32
The initial meeting, college years & design a...
Revathi Kamath
WH_OH_005(b)_AUD_S1(C1)
00.33.38
Childhood, memorable projects, partnership &...
Revathi Kamath
WH_OH_011_AUD_S4(C3)
00.33.41
Impressions of early-generation and contemporary w...
Gita Balakrishnan
(00:10:45:30) "Men allowing women to be visible…", (00:15:01:10) Sheila Sri Prakash - the only Indian woman...
WH_OH_011_AUD_S4(C2)
00.26.54
Observations on parity of woman practitioners and...
Gita Balakrishnan
(00:03:05:30) Inheriting a practice and making it your own, (00:20:20:15) Women contractors and women on-site
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