Resigning, client approach, recognition & less...
Revathi Kamath
(00:06:30:12) Drawings as a representation, (00:12:21:17) Design approach of Revathi Kamath, (00:12:41:02) Bodily app...
Interactions, project approach, practice methods &...
Revathi Kamath
(00:35:42:11) Relationship with clients, (00:13:53:14) Furniture design by Revathi Kamath
Workplace dynamics, notable engagements & mate...
Revathi Kamath
(00:11:53:02) Naturalness of creativity, (00:10:00:12) Taj Hotel Jaisalmer an unbuilt project
Relationship, drawing method & professional jo...
Revathi Kamath
(00:05:53:19) Sensitivity to line, (00:09:20:20) Madhavi Desai book launch
Interactions with Revathi Kamath, craft & desi...
Revathi Kamath
(00:06:56:06) Anandgram redevelopment Project, (00:17:33:29) Revathi Kamath's house
Ethos, vision, workplace, influences & clients
Revathi Kamath
(00:01:46:20) Attitude with being recognised, (00:02:34:11) Aga Khan Award, (00:04:12:09) Design ethos of Revathi Kam...
Academic and institutional engagements, and conclu...
Leena Kumar
(00:00:55:21) Issues with time as a constraint, (00:03:41:27) Changes in the kind of projects over the years, (00:11:...
Details of projects and life as a practitioner
Leena Kumar
(00:08:08:07) Challenges in working with the government, (00:12:30:22) Concept for bicycle late separator, (00:22:09:...
The project’s research, aim, and thoughts on gen...
Leena Kumar
(00:01:00:05) Effects of gender in practice, (00:09:32:27) Dividing work based on interests, (00:11:01:06) Safety for...
Education and work in the Bangalore city
Leena Kumar
(00:04:37:18) Subjects from architecture that were influential, (00:06:35:20) Works of different firms in Bangalore, ...