Resigning, client approach, recognition & less...
Revathi Kamath
(00:06:30:12) Drawings as a representation, (00:12:21:17) Design approach of Revathi Kamath, (00:12:41:02) Bodily app...
Interactions, project approach, practice methods &...
Revathi Kamath
(00:35:42:11) Relationship with clients, (00:13:53:14) Furniture design by Revathi Kamath
Workplace dynamics, notable engagements & mate...
Revathi Kamath
(00:11:53:02) Naturalness of creativity, (00:10:00:12) Taj Hotel Jaisalmer an unbuilt project
Relationship, drawing method & professional jo...
Revathi Kamath
(00:05:53:19) Sensitivity to line, (00:09:20:20) Madhavi Desai book launch
Interactions with Revathi Kamath, craft & desi...
Revathi Kamath
(00:06:56:06) Anandgram redevelopment Project, (00:17:33:29) Revathi Kamath's house
Ethos, vision, workplace, influences & clients
Revathi Kamath
(00:01:46:20) Attitude with being recognised, (00:02:34:11) Aga Khan Award, (00:04:12:09) Design ethos of Revathi Kam...
Concluding remarks
Nalini Thakur
(00:08:24:11) The people, time, and place model, (00:11:03:05) History of Shahjahanabad, (00:13:57:06) Constant evolu...
Conservation education and teaching pedagogy
Nalini Thakur
(00:05:21:10) Heritage walks in Delhi, (00:08:03:07) Active learning, (00:14:44:25) Delhi a world heritage city, (00:...
Role of public and private sector to support herit...
Nalini Thakur
(00:00:19:24) Issues with NGOs running heritage education, (00:08:25:16) Role of judiciary in heritage conservation
Majuli project, thesis at SPA, and comments on her...
Nalini Thakur
(00:00:23:18) Significance of Majuli, (00:11:35:16) Significance of Hazrat Nizamuddin Basti, (00:15:21:12) History of...